Uneven beginnings make way for a resonant finish.
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Tomorrowland’s Jenga tower of feel-good catchphrases collapses into a mess of wooden platitudes.
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Movies cannot be made or watched in a vacuum. Selma esoundingly proves why.
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Fury is a sturdy sort of film that colors inside the lines, but its grave error is mistaking what it is, a thoroughly reasonable war-action movie, for what it isn’t: a prestige picture.
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